TOM GELARDI SUBSCRIBER ONLY TIP INDEX |
| BEGINNING A MARKETING CAMPAIGN - BY TOM GELARDI Your marketing campaign begins with getting the product into the stores correctly and executing your promotional activities in a step by step manner. |
| BEGINNING A PROMOTIONAL CAMPAIGN - BY TOM GELARDI Your promotional activities begin with the record release party. What comes next is explained. |
| HOW A HIT RECORD IS MADE WITH PROMOTION - BY TOM GELARDI Your airplay promotional activities need to be carefully planned to get the results you want. The proven formula is explained. |
| THE INITIAL PROMOTIONAL SCHEDULE - BY TOM GELARDI In the initial 6 weeks of the promotion, you are setting up a secondary test for the release. The object is to get it played and requested on a prominent radio station, with established requests and established sales in that area. |
| WEEK 0 PROMOTION - BY TOM GERALDI The promotional campaign begins with a good plan. See our example. |
| YOU SOLD 75 RECORDS - YOU HAVE A HIT! - BY TOM GERALDI The initial sales figures are small. Get a projection of early sales figures of a hit record. |
| SELLING ON CONSIGNMENT - PART 1 BY TOM GELARDI The way you will sell records in stores is "on consignment." Here's the basics of how this works. |
| SELLING ON CONSIGNMENT - PART 2 BY TOM GELARDI OK that's how consignment works - now what? |
| A PROMOTIONAL JOURNAL - PART 1 BY TOM GELARDI Tom gives us the blow-by-blow implimentation of a campaign. |
| A PROMOTIONAL JOURNAL - PART 2 BY TOM GELARDI Tom gives us a report on the first week's activities in the campaign. |
| A PROMOTIONAL JOURNAL - PART 3 BY TOM GELARDI Tom gives us the second week of the campaign, including the result of the offical release party. |
| INDUSTRY TIMING BY TOM GELARDI Tom gives us hints about when to talk with major record companies about a record deal. |