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Recording Insatiate Of Detroit - 2000/2001 Recording Engineer Program

(SECOND RECORDING ENGINEER PROGRAM)

INTRODUCTION | CAMPUS PROGRAMS | ONLINE PROGRAMS | FACILITIES | ENROLLMENT | OTHER | CONTENTS PAGE | CLASS SCHEDULE

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CLOCK HOURS:    255  (5 Courses plus internship)

TUITION/BOOKS:     $4247.00/$250 ($2449/$109 in addition to Associate Recording Engineer Program Tuition/Books)
PREREQUISITES:      Successful completion of Associate Recording Engineer Program
JOB DESCRIPTION:
The graduate of the RID Recording Engineer Program is qualified for a position as Second Recording Engineer in a larger studio setting and to be a Recording Engineer in smaller (demo) studios.  The training is designed to allow the quickest advancement from the position of "Second" to "Recording Engineer" after employment is found.
The Second Recording Engineer is a person who assists a Recording Engineer in a recording studio. The "Second" will usually help set-up major recording sessions and often operate the tape machines during the session. The Second also will often complete less-complicated and demo recording sessions as the acting engineer. Other duties of the Second could entail editing and duplication. Second Engineering positions usually lead to promotion to Recording Engineer positions after sufficient experience is obtained. The term "Recording Engineer" is an industry term for the individual in charge of professional recording sessions and does not imply possession of an "engineering license" or an "engineering degree."
Associate Recording Engineer Courses - CLOCK HOURS:    97 - See complete descriptions:

Basic Digital Recording Tech.

Intro To Music Theory

Basic Music Production

Advanced Recording Course

MEETINGS:     12 Classes - 5 hours each

CLOCK HOURS:    60

TUITION/BOOKS:      $1399/$104

COURSE PREREQUISITES:      Successful completion of Associate Recording Engineer Program  Courses
TRAINING DESCRIPTION:

Section 1 - Advanced Console Techniques - 2 class meetings:

Students learn the basics of the Solid State Logic 4000G console, shortest path technology, advanced console features, routing and mixing for advanced micing techniques, and patching techniques for routing and for using outboard gear.
Section 2 - Advanced Signal Processing - 2 class meetings:
The students learn the basics delay and reverberation techniques, including customization of parameters.  Students also lean advanced dynamic processing techniques including compression, expansion, noise reduction, side chain use for dynamics processing and customization of parameters.
Section 3 - Automated Mixdown - 3 Class Meetings
The students learn automated mixing theory and compare different types of automation systems.  The students learn the operation and features of the Solid State Logic console and complete automated mixing practical assignments.
Section 4 - Analog Recording & Synchronization - 3 Class Meetings
Students learn analog recording theory as well as electronic calibration of analog recorders.  Students learn about synchronization of analog recorders to a) digital recorders, b) MIDI sequencers & hard disc recorders, c) to other analog recorders (for 48 track recording).   Students complete a recording project with an analog recorder with synchronization to a digital MDM.
Section 5 - Advanced Mixing Techniques - 2 class meetings:
Students complete final automated mixing assignment involving synchronization and all signal processing theory learned.
Campus Practice/Study Time:     Up to 20 hours of additional study or individual practice with instructor assistance may be scheduled by each student.
Computer Music Technologies Course

MEETINGS:     12 Classes - 4 hours each

CLOCK HOURS:    48

TUITION/BOOKS:      $1099/$104

COURSE PREREQUISITES:      Successful completion of Associate Recording Engineer Program  Courses
TRAINING DESCRIPTION:

Section 1 - Advanced MIDI Project - 2 class meetings

Students learn an advanced MIDI program on the Mac computer system and complete an advanced MIDI programming project.
Section 2 - Hard Disk Applications - 5 class meetings:
Students learn the Digidesign Sound Tools and Pro Tools programs and apply this knowledge to a) audio music mastering, b) radio commercial production, c) audio post for dramatic TV show, f) audio for video post for TV commercials, and e) hard disk music recording & mixing. 
Section 3 - Advanced MIDI Applications - 2 class meetings:
Students learn MIDI automation techniques for digital mixers as well as sample-based music production using advanced Mac software.
Section 4 - Final Hard Disk Recording Project- 3 class meetings:
Students complete a band music production using Pro Tools, including recording, overdubbing and mixdown.
Campus Practice/Study Time:     Up to 20 hours of additional study or individual practice with instructor assistance may be scheduled by each student.
Final Exam:      Final examination will be given 7 days after the last class.
Recording Internship

MEETINGS:     Individual campus meetings as necessary

CLOCK HOURS:    50

TUITION/BOOKS:      $199/$0

INTERNSHIP PREREQUISITE:  Successful completion of all Recording Engineer Program  Courses
Students act as a Second Recording Engineer on 50 hours of professional recording sessions.  Student must interview and be accepted by a commercial recording studio (the school sets up the interviews).  Individual campus meetings are arranged to setup and successfully complete the intern hours.

INTRODUCTION | CAMPUS PROGRAMS | ONLINE PROGRAMS | FACILITIES | ENROLLMENT | OTHER | CONTENTS PAGE | CLASS SCHEDULE

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