PRODUCTION FEATURE ARTICLE

November, 2002 "In The Beginning..." ISSUE

RECORDING ENGINEER'S QUARTERLY

DEVELOPING ARTIST PRODUCTIONS CONTEST UPDATE

Meet The First 2 Winners

BY BOB DENNIS

The initial winners from our September contest  applicants are in.   You say, What contest?  We are talk about our "12 Winners" contest that we announced last issue.   The industry veterans of developing artist productions are taking several lucky winners (up to 12), analyzing their specific product and musical efforts.  With this the winner is trained, advised and coached toward making serious progress on the road to a hit record.   For a more complete picture, visit www.produceahit.com.  

Winner #1:

Our first winner is the drummer Rico Malizia from the alternative rock group "itzjunk:" 

itzjunk bio shot

itzjunk

 style: alternative rock

tonos site: www.tonos.com/itzjunk

dap Nov. 2002 monthly feature

artist homepage: www.itzjunk.com

Go to the developing artist productions November '02 itzjunk sample page and see our rating on this group.

Winner #2:

Our second winner is Christi Hall from the hip hop / rap group "Strong Arm Society."

Strong Arm Society

 style: Hip Hop / Rap

tonos site: under construction

dap monthly feature: under construction

other: under construction

Christi is still in the middle of posting her tonos site and we expect to add her group to the dap monthly featured group pages by the end of the month.

A Note About Entering The Contest:

You'll find the application form for the contest at the dap site (www,produceahit.com). In addition to filling out the application form, you must evaluate the Dave Newland postings linked at the site.  Without the evaluations being done, you haven't finished entering the contest.  We've had a respectable number of readers filling out the application form and remarkably few finish the application by doing the required evaluations.  Being able to evaluate productions, in varying styles, is a key to being a good producer. 

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Copyright © 2002, by Robert Dennis, ALL RIGHTS RESERVED

Published in Recording Engineer's Quarterly and Alexander magazines with permission

USE OF THIS ARTICLE SUBJECT TO USER AGREEMENT