November 25, 2001 "CHRISTMAS" ISSUE

INTERNET TRAINING PLANS - 2002

OUR BASIC AUDIO TRAINING EXPANDS 

BY BOB DENNIS

Sometimes the person who's been around for a while gets the idea that they need advanced audio training.  Usually they're wrong - they need more complete basic knowledge.  This is because almost all of the great innovating feats accomplished in recording are accomplished by applying BASIC level knowledge to recording situations - usually the stuff that is presented in the fist few weeks of a good basic recording course.  The professional engineers that are being written up in national magazines know the basic knowledge so well that they can think and innovate with it.
In the present "buy it now and learn it later" world we have many people that get into recording and learn just enough to do the things they're interested in.  Many would be able to do much more, or do things much better, if they had a better  understanding of all of the basics in recording.
In 1996 I published a textbook, The Multitrack Recording One-Lesson Text, which pretty much covered the minimum you needed to know about in recording.  It was the textbook that students used during a 6-hour seminar in recording.  In 1998 I released our first interactive study module, the Pro Audio Specialist Study Module.  Our campus Pro Audio Specialist course uses these materials. 
The materials and the study module are designed to get the new person of the field "off and running,"  but also to fill in gaps of missing information for the person trying to get good by experience alone.  Either kind of reader will be learning a lot - 98% will be amazed by how much is learned.   
In the beginning of next year (2002) we will be releasing the study module's version 2.0.  The 57 lessons are set to be increased to 70.  An instructional video on sound elements will be included in the release.  The module will have a new section on hard-disk recording, mixing and mastering.  Watch for it's release, tentatively scheduled for February.

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Copyright © 2001, by Robert Dennis, ALL RIGHTS RESERVED

Published in Recording Engineer's Quarterly and Alexander magazines with permission

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