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MY
EXPERIENCE WITH THE RECORDING CONNECTION
It
all started with a phone call…. "Hello? Is this Eric
Kilgore?"
"Yes
it is, may I help you?"
"Yeah,
I’m calling from the Recording and Radio Connection. Have
you heard of us?"
"No."
After
some small talk with the used car salesman-like voice on the
other end of the phone. I found myself promising to teach
someone audio engineering that I never met. It didn’t seem
all bad, after all, I would be getting paid for something I
love to do…teaching recording. Then I started to think
about it. I was agreeing to offer services to someone across
the country based on just a "promise" to pay me. I
knew it wouldn’t be my first "spec" job, but
something didn’t seem right. The Recording Connection
owner didn’t even know that I had previously taught
recording for the only licensed audio recording school in
Michigan until I told him. (He stumbled upon me by a
referral from a former student which he had randomly called
off of a list of subscribers to an audio magazine.)
I
interviewed the prospective student. He seemed ambitious
enough. All there was left to do was to get the materials
and start teaching. I would mail in the student quizzes and
get paid $50 for each one that I returned after I graded it.
I would also receive a larger sum (I think it was $500) for
sending in the student’s final exam. He would receive a
piece of paper saying that he was an audio engineer, and I
would get a plaque saying that I was an "approved
facility."
When
the educational package arrived I was dumbstruck. It was an
off the shelf audio recording book that I had already owned
(It was a good book for reference, but a little too general
and basic for my tastes in educational material), and a copy
of a book that was written for the Recording Connection in a
very illogical (almost random) manner. I also received a
copy of all the quizzes to give my student and answer keys
for myself. I’m not being an elitist, but this was the
worst form of testing that I can imagine giving someone who
needs to really know their information…It was fill in the
blank style quizzes that consisted of filling in the
information that was given in the book The answers were
actually in the text as italicized words within sentences
that were repeated on the quiz word for word. On top of that
I was told to give the student the quiz as an open-book test
if it seemed too difficult. There was also a fairly poor
lesson plan. It was obvious to me (and my student) from the
text and techniques that the Recording Connection had done
absolutely no investigation into the facilities that they
solicited. I worked in a studio with a small voice-over
booth that specialized in commercials and other "white
collar recording". The book was written to be taught in
a large music studio with a wide array of microphones and
instrument at the teacher and pupil’s disposal.
I
managed to salvage the educational relationship between my
student and myself only because of my previous learning,
teaching, and working experience at the Recording Institute
of Detroit (RID). I was taught at RID how equipment worked
in theory and in practice. I was instructed with enough
theory that I could work any similar equipment without much
added thought, because I knew the basic theory of how the
equipment functioned, and what was happening to the audio
signal internally within the chain of signal flow. I was not
thrown a bunch of irrelevant materials in a haphazard
fashion and told to learn. I was able to learn by getting my
hands on the equipment, and comparing my abilities with
other students that worked with me as a team.
I
was further instructed on how to instruct others when I
became a teacher at RID. This was probably the only thing
that saved the Recording Connection experience for my poor
unsuspecting student. I was able to make the materials make
sense so that he could understand.
I’M
NOT DONE YET….HERE’S THE PUNCH LINE!
I
had to quit the training for my student for several weeks
because of lack of payment by the Recording Connection, then
when I finally DID get a check, it bounced!! Most of us
working engineers don’t have a big bankroll to fall back
on, and I was no exception. The only way I ever was able to
collect the money and the charges from the bank, was to have
my student call the Recording Connection and threaten them
with legal action for non-delivery of services. It was then
that I had found out that the student had paid about $3000
up front to the Recording Connection and then they agreed to
pay me about $1200 over the course of several months (when
the checks showed up on time). They made $1800 for
"making the connection". The result was that when
we did resume our educational endeavor, the books were
basically discarded and I looked at the lesson plan only to
evaluate what information the student was expected to
receive for his money. I delivered on my agreement, the
student got his certificate, I got my plaque to hang on the
wall. I told the student on the last day of instruction that
his money would be better spent, he would get his hands on
REAL equipment, and he would retain his education much
longer if he only would call the Recording Institute of
Detroit. I gave him a catalog for the school, and sent him
off like a lamb to the wolves.
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