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THE RECORDING SCENE

May 1, 2001 ISSUE

It's A Wonderfully Arduous Life

Chapter 1

BY BOB DENNIS

Most of us in the business are in it because we love music and recording and we are committed to making our mark in the industry - finding a way to have a reasonably stable life in this crazy field.  We are really spoiled brats that refuse to surrender a third of our life (maybe half of our waking life) to mindless labor for money.  We call it a necessity to have a career based on fun and playing around - paid to play, just like the professional ball player.  We want a career where we are as successful and well paid as we are good, not paid according to our political correctness or the shape of our body.
In this column I'm going to feature certain industry professionals and how they managed to "settle-in" to a life in this business.  
Eric Kilgore trained at Recording Institute of Detroit and was later hiried by the school as an assistant instructor, promoted to training co-coordinator and then to an instructor.  But when Eric's wife passed, he was forced to get a better-paying gig as he was now a single dad.  
Eric found better money at a small studio that did commercial recording (jingles) and multi-media.  Recently he quit and now holds a full-time position as an IT professional - outside of the music and recording field.  But as he explains it, he's more into the field than ever: 

ERIC  KILGORE

Recently I’ve changed full-time careers from an engineer for a local Detroit area production company, to an IT professional for a prosperous hospital chain. Here’s what I’ve learned…
    1. My own multimedia company, Theoretical Reality, cannot only survive but THRIVE in the absence of job-related stress. My clients can take full advantage of my creative abilities because the over-bearing pressure of "political correctness" or fear that a ludicrous overhead cost can’t be covered no longer compromises them.
    2. I can also focus on creativity and quality of my independent multimedia productions because I know that my current employer is actually paying the retirement moneys that they collect from me into my retirement fund. They are not collecting the money s from me and then re-appropriating it to their own "company" cars or some other item they think in more important than my retirement.
    3. By being in a professional environment at my day job (one where people don’t curse me out or throw things at me), I’m able to finish my day more relaxed and able to concentrate on my independent productions.

The bottom line: I’m able to offer better, higher quality audio, video, CDROM, and web productions for less than half the cost of my former employer. My clients are happier and more impressed than ever. If you are a multimedia professional that is suppressed by tyrannical studio owners that constantly take credit for your work and refuse to pay you adequately for your expertise…GIVE ‘EM THE FINGER and work independently. YOU WILL BE GLAD THAT YOU DID!

THE ABOVE VIEWS WERE EXPRESSED IN AN ARTICLE "ANGER IS AN ENERGY"  2001, Eric Kilgore (all rights reserved) AND USED WITH PERMISSION.  VISIT ERIC'S CORNER BY CLICKING ON THE THEORITIOCAL REALITY LOGO, 

Copyright © 2001, by Robert Dennis, ALL RIGHTS RESERVED

Published in Recording Engineer's Quarterly and Alexander magazines with permission

USE OF THIS ARTICLE SUBJECT TO USER AGREEMENT

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