RECORDING TECHNIQUES

February, 2002 "RECORDING" ISSUE

MICING  THE ACOUSTIC GUITAR

BY BOB DENNIS

The Acoustic Guitar
The acoustic guitar is shown in figure 1.  Understanding how it works to generate its sound allows you to properly place close microphones on this instrument.

FIGURE 1 - THE ACOUSTIC GUITAR

The acoustic guitar has 6 strings, each tuned to a different pit.  There is a fretboard on the neck of the instrument that allows the player to sound different pitches with any string.  For our purposes, we need to understand that the vibrating strings begin the sound wave.
The bridge of the instrument is at the tail of the strings.  Since the bridge is in contact with both the strings and the top plate of the guitar, the front plate will vibrate, driven  by the strings.  The area of the bridge of the instrument becomes a sweet spot for the guitar.  Placing a microphone 1-3 inches directly over the bridge area will accent the instrument's brilliance and clarity, making the sound heard though many other instruments playing along with it in a mix.   When there a lot of instruments in the production, especially when there are electric guitars playing along with the acoustic, this microphone placement is preferred.
Maximum Body
The hollow body of the acoustic guitar is a resonator that amplifies one octave of vibrations centered around 150 Hz.  This effectively amplifies the lowest frequency pitches generated by the acoustic guitar.  There is a "hot" spot of this low-end guitar energy over the hole in the body.  Placing a microphone over this area of the guitar tends to reduce brilliance and clarity but increases the body in the sound.  This microphone placement may be used when the acoustic guitar is played by itself of with only a vocal.
Stereo Micing

FIGURE 1 - STEREO MICING THE ACOUSTIC GUITAR

You can pick up both of the hot spots by placing X-Y stereo microphones as shown in figure 2.   The blue microphone picks up the bridge of the acoustic while partially rejecting the sound hole.  The red microphone picks up the sound hole while partially rejecting the bridge sound.  When these mics are panned stereo in a mix, you will have both body and clarity in the acoustic guitar sound.
Acoustic Guitar Hot Spot Demo
The two hot spots on the acoustic guitar are the bridge and the sound hole of the instrument.  In the following demo, an acoustic guitar sounding an open A (a fundamental frequency of 110 Hz) is heard miced over the bridge and then over the sound hole.  The sounds are then repeated several times with a small beep at the point of switching the sound.  Go here for the demo.

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Copyright © 2002, by Robert Dennis, ALL RIGHTS RESERVED

Published in Recording Engineer's Quarterly and Alexander magazines with permission

USE OF THIS ARTICLE SUBJECT TO USER AGREEMENT